![]() ProRes, which is very fast (even faster than vanilla MJPEG)). 10-bit 422 ALL-I H.264 is pretty much the same as ProRes (a form of MJPEG in a sense: however H.264 ALL-I likely has more advanced macroblock handling (variable sizes, quality), which can provide higher quality but is more expensive to decode vs. Thus, I included high-bitrate H.264 420 8-bit as well as H.264 10-bit 422 which preserve color much better and should be visually equivalent to ProRes, especially when coming from H.265 8-bit 420. ![]() I tried various workarounds when developing Photon however non of them worked (ProRes mode 1 in Photon has the least color shift vs. For ffmpeg-based transcoders, there's a bug in ffmpeg and ProRes: it appears anything > 1080p gets marked as bt601 (instead of rec709) and the resulting incorrect transform(s) change the color and gamma. Adds Blackmagic Raw support (MacOS 10.12 and later) Adds clip duration to metadata displayed in info views. Adds clip trimming set in and out in preview to transcode a region of the clip. an h264 file from a GoPro camera), the standard ProRes 422 file will be fine. Not to mention newer and much more exciting hybrid shooters like the Panasonic GH5 and GH5s. But, in general, if your source is already compressed (e.g. The 'right' choice will be different for each workflow. For NLEs that don’t support a particular flavor of RAW, film and videomakers can convert, for example, Blackmagic RAW to Apple ProRes, quickly and accurately. Log workflows are simple and well established. The program plays audio files, video files, image files, camera RAW images, and all major media formats. EditReady allows you to choose from five different ProRes options: ProRes 422, 422 HQ, 422 LT, 422 Proxy, and 4444. EditReady quickly and reliably converts camera RAW footage into the Log format native to the camera manufacturer. ![]() It can be used to stream online video, remote media, TV shows, DVD playback, Blu-ray playback, and more. ![]() Do these various converters deal with color differently? PowerDVD is a versatile media player software to browse, play, view, and manage your digital media collection. Performance may vary based on system configuration, media type, and other factors. The colors seem to get messed up to my eyes in Gamma DR. Apple ProRes 422 HQ video, and 19 streams of Apple ProRes 4444 video, all at 4096x2160 resolution and 59.94 frames per second. ProRes RAW is 12 bits, and ProRes 4444 is 12 image bits, so it is a good fit, and it runs well in Resolve. On just standard profiles, it looks great right out of the cam, but I haven't found a good flat setting yet. I'm really liking my NX1, but i don't really feel like I'm maximizing its potential, especially in terms of DR and color. ![]()
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